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The perturbed lady wisely let the question pass not being absolutely clear herself as to the operation involved in the casting of lots. She hastened to take up the thread of the story. Betty was thoroughly engrossed in her subject. Her story was entirely of birds and flowers and fairies. True, the pictures did not realize in their movements the lightning-like rapidity of “really truly” moving pictures, but they moved as fast as the young eyes that followed them could wish. CHAPTER V.—A DANCE IN THE CEDAR HILLS..

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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. May Nell needed no second request to “catch the racket and bring it in.” She flew downstairs, and presently up again, arriving with a breathless story. “O Billy, the circus train’s wrecked! There won’t be any circus next week! Some of the animals are all dead, and the fire burned some— Oh, I can hear them scream now, can’t you?” She put her hands over her face and shivered. “They’d look purtier, Glory, ef you’d put more colors in,” commented Mrs. Wopp. “Yes. And the fire worse. Why can’t you have a refugee?”.